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One of the most enjoyable and inspiring books I have read this year has been Sir Ken Robinson's "Out of our Minds"  and my ref...

Showing posts with label policies. Show all posts
Showing posts with label policies. Show all posts

Saturday, 22 August 2020

#eurocallgathering A meaningful mission on my road to retirement

 


Summer 2020 was to mark my the end of my teaching at Warwick. I plan to retire at year end and didn't want to leave the next cohort part way through their learning. These were just plans in my head, but they were of course affected by the arrival of a global pandemic - forecast for some years by experts and yet unexpected by the UK Government, which of course had their eyes only on the earning potential presented by their #brexit agenda. 

As it became apparent that we would not be able to travel easily, thoughts turned to how we could maintain some continuity in the Eurocall community which is almost entirely supported through an annual conference, already some way into planning to take place in Copenhagen. A difficult decision was made, we would not be able to go ahead. I had been co-opted to the board of Eurocall in 2018 and this organisation has a special place in my heart. 

As an early adopter of technology for language teaching and learning I had become aware early in my career that there was a group of academics who researched in this area. As a teacher, even as a head of subject I didn't have resources to enable me to join a physical conference. I read some of their work and attended local training events in Warwickshire but back then there was no easy access to information through the internet. In the 90's, when Eurocall was founded I used CD-ROMs such as Granville in my teaching. Later in my career, having moved to work in Higher Education I was able to track down Graham Davies, thanks to his ICT4LT website and twitter. I contacted him in 2010 as I had taken on a role to support staff development at Warwick Language Centre and he kindly agreed to speak to our teachers in his Second Life persona. Even with my very rudimentary skills in Second Life I was able to get my avatar to wear a Eurocall t-shirt! Warwick language tutors listened to Graham together and discussed how we could further embed technology in our teaching practice. I felt I was offering them the chance to connect with the leading edge of research and those with most experience. 

Graham and I shared a love of Europe and the need to support language learning:


Sadly Graham died 2 year later. I attended a celebration of his life in Second Life, a really moving event. He cared deeply for the fellowship he found in EuroCALL and I felt honoured to be able to pick up his legacy through working on the virtual strand blog. I felt that the challenges I had faced as a young teacher would not be going away. The opportunity to make the work of Eurocall more open and accessible to all who supported language learning was one I could not resist. For me this was personal

The idea of the #eurocallgathering event was born of the challenges presented by covid19 in 2020. 10 years after Graham had spoken to our teachers, I put a plan together to use the under-utilised capacity of our G Suite to ensure that we could still get the community together. I set up a site a hashtag and a You Tube channel and spent the summer months pulling it all together. Thanks to the support of the executive, the conference committee was able to transfer much of the planned event online. We didn't have the joy of visiting Copenhagen but we were able to share our work and and fellowship for two packed online days which will also leave a legacy behind them for others to find. 

The wide range of research which is generated by this community continues and #eurocallagathering only shows a small cross section and much of my work continues with UNICollaboration which was born out of the work supported by Eurocall. The stream is widening, as John Gillespie pointed out in his keynote 



Thursday, 30 August 2018

Creative Commons Remix assignment



I'm about at the half-way point in the Creative Commons Accreditation course I am doing this summer. The video above is a submission for this task:


 Create a remix in any medium (e.g., photo, video, audio) for use in a course you teach. If you aren't currently teaching a course, create a remix for use in a future offering of the CC Certification course. Your remix must meet the following criteria:
  • be comprised of at least five (5) pre-existing CC licensed works,
  • contain appropriate attribution for each component work (remember to think TASL!), and
  • be a legal remix (that is, the licenses of all component works must be compatible).
You are welcome to include your own original work in the remix but this is not required. Be sure to create a remix and not merely a collection.
For inspiration, see Montgomery College’s Open Pedegogy Assignments (click on one of the links under Assignments on the left): https://cms.montgomerycollege.edu/mc-open/unesco-sdg/ (Links to an external site.)Links to an external site..
Post your remix online. License it with a Creative Commons license (be careful that the license you choose is acceptable given the terms of the component works included in your remix!). 

I will use this remix as part of my new module LN306 Developing Teaching in Languages. This year will be the second iteration of this course and I found from feedback last year that my students, although they appreciated open education as "a good thing",  it wasn't very clear to them what it meant for their practice. The student group are linguists who have worked in schools abroad and/or worked as tutors and are considering entering a career in teaching when they complete their degree. I wanted the remix to demonstrate what can be achieved and why it matters to engage with open practice. 
The remix (originally created as a contribution to video in education project ViLTE)  includes sections taken from RIP A Remix Manifesto (already a remix of many other works, licenced CC BY 3.0 and my own additions including an image from Flickr which uses a licence which prevents derivatives. It exemplifies the discussion I co-wrote about the issues faced by language educators when using contemporary cultural artefacts as produsage in their courses. I have messaged the poster of this image to see if he is OK with its use in this context. I have used the image without any changes but this licence would prevent me applying a CC BY licence on the finished work so I need the permission of the owner in order to include it. If nothing is forthcoming I will have to replace it with another image. Update: the video above is a remix again as no response came from the ship image creator. (UPDATE 2: The original image creator responded to me via Flickr messaging to ask a few further questions about the purpose I wanted to put the image to. Although I had already removed the image, it was good to see that contacting an owner through the community on Flickr could work). This serves as a good reminder of the detailed level of understanding of Creative Commons licencing needed by educators in order to operate in the digital domain. Real scholarship is required to work confidently online. 
Once the remix was ready to share I uploaded it to my YouTube channel. Another problem: YouTube do not have a full selection of CC licences available, just CC BY. This is my preferred licensing option in any case and (provided the Flickr image owner gives me permission) is fine for this remix. 
I am submitting my assignment within a blog post (my blog is CC BY) as I think the context and issues for remixing are as important as completing the assignment. Here are the questions that arise during the remixing process:
  • when remixing using content which explicitly allows remixing (eg CC BY) where do you attribute? In the video itself? In the description on the streaming site? Is a link within the blog post enough to provide the TASL requirements?
  • If the licence on an image (for example) is too restrictive for inclusion, can this be ignored if the owner gives his/her permission for your use?
  • What if the sharing site used (eg. You Tube) does not support the full suite of CC licences? How can we influence site providers to offer better display of licensing options?
Finally I decided to create a further remix of my own resources around open educational practice: