Video in language teaching

The video above is a remix which uses extracts from RIP: A remix manifesto in order to convey the importance of copyright knowledge to the teaching profession and to explain how Creative Commons licencing can support a creative, sustainable learning environment online through open educational practice. I created it as a contribution to the ViLTE project, funded by the British Council.

Further detail about the importance of creativity in the digital domain and its relevance to language teaching in particular is explained in this jointly authored article on Produsage  published in the education policy analysis archives journal. 

I was also involved in the EU project Video for All where lots of teaching resources were shared for language teachers to help them cope with the complex landscape of digital media production in their teaching. Unfortunately for us the site (hosted by a pain project manager) has been taken down at the project's end of life as the budget has run out. I find that outrageous and I am trying to bring it to the notice of the funders. The resources were created as open educational resources and  need ongoing support. The Wordpress site which was the host for our work would not be expensive but I do not have any say in budget, I am just a teacher. Does seem strange to me though that tech companies and even project managers of EU projects proclaim their interest in education but often do little to support the real needs of educators or to maintain resources we need. It bears witness to the fact that some are clearly only in it for the money. 

The key word in all of this work is the word open. Kaltura have worked hard to support open standards in video, as a practitioner I work in the open because I believe everyone should have access to education and I also believe that through an open web I can network and learn from other educators. If you get the chance to watch the whole of the RIP video on Vimeo you will see that openness (open data, open education, open source, open access, open practice etc) are key to making headway in solving big problems. Problems we should no longer assume will be solved by politicians - that ship has sailed and we can be clear that they also by and large are busy protecting their own interests. We need to ask ourselves what really matters.  I have of course kept a copy of my video, added it to my YouTube channel and Kaltura gallery and shared widely as well as passing the file to the ViLTE project to help ensure its existence as an OER beyond the confines of a project. 

Update: March 2019 - Kaltura have now closed my free open gallery - so just as well I maintain other ways to share my work!

CMALT review: from now to 2020!

Thought for the day provided by random pen in my session room #eurocall2017 pic.twitter.com/jZUfzXIw6b

— Teresa MacKinnon (@WarwickLanguage) August 26, 2017

With thanks to @davidhopkins for prompting me to write this!

Last summer I was delighted to get confirmation that my CMALT status has been extended until 2020. With it came the suggestion that my submission could have included reflection on where my career will go next. Well, that really would have required greater powers of prediction than I have. We all know the question don't we: "Where do you see yourself in 5 years time?"

From when I first started out in teaching back in the 1980's I have always been very aware of the importance of setting career goals and I have had what some might call a successful career. I moved into teaching management early on, becoming a Head of French after just 2 years in the job. I have been very deliberate in managing a portfolio of my work in order to navigate my way through the many challenges of having a family, balancing their needs with my own. I took the risk of changing sectors - hence la modification , investing time and energy in professional development, learning and contributing to my communities, supporting and mentoring others. It has been this approach which more recently has shaped my goals, which have become less about my career and more about what I believe to be important: addressing social injustice and working for fairer access to education for all.

Perhaps this means as I have got older I am less interested in being driven and more interested in who is driving! That's not to say I have decelerated my career though. When I became a teacher I was very aware of the privilege of becoming a member of a professional community. I have been shocked by the drive to de-professionalise my profession, successive politicians have undermined the importance of real people working as communities of practitioners, focusing instead upon target setting and league tables. Forgetting the humans at the heart of human learning. As a result there is a huge recruitment crisis in education and a real risk that UK young people will not have access to the learning they deserve. Social inequality is greater in the UK than ever with 4 million young people growing up in poverty.

So my personal career progression seems rather unimportant by comparison. It would probably also rely on completing a PhD. This would mean diverting financial resources away from my family to achieve an ambition. That's a club too far. If I do get there it won't be through the UK system as the financial cost is too high.

I take greater pride in these developments:

• being part of the EVOLVE project a 3 year project to scale up virtual exchange
• continuing my commitments to the ALT and Eurocall communities on the Open Ed Sig and the CMC sig
• the creation and delivery of a new module for the School of Modern Languages and Cultures: LN306 will focus on Developing Language Teaching to provide a new generation of creative language teachers who will pick up the challenges of the digital realm. 

In 2020 I will be 60 years old. I doubt that I will grow old gracefully, never been my style!

Do you grow out of playful learning?

A selection of my language games

"When I was a child, I spoke as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things." (The Bible,  1 Corinthians 13.1,2).

This post was inspired by a #creativeHE post by Will Haywood published on his blog yesterday. Will raised the point that perhaps once we move to teaching in a different context (e.g. from school to HE) games and play in learning get a little left behind. I have been teaching French in HE for 15 years, with students who are often highly motivated, some on accelerated courses where they have to make lots of progress in a very short time. I need them to listen and imitate sounds accurately, using their voices with a new rhythm and tuning their ear to a new musicality, they have to make new connections quickly in order to acquire lots of new vocabulary in order to react appropriately in a language and culture that is not their own. Not unlike the process we all went through as little children. I try to make it fun. I describe an early lesson activity here where we play with the sounds we make, a playful ethos is crucial to the success of this activity. 

The toybox shot above shows a range of the games I use in class. Word cards and dice allow us to practice tenses and rhyming sounds, board games and role play help us to exercise our memory and strengthen the links between individual lexical items and meaning. The inflatable globe has lots of uses and often flies around the room to reduce focus on how silly you may feel making strange utterances in front of your classmates. There are lots of commercially made games too but I have found that the best ones are the ones that meet a specific learning outcome. More important than the game itself though is the establishing of a playful, non threatening ethos to play together. I remember a particularly exciting CD-ROM game I used in schools which was called Granville. It was an early form of SIM (simulation) where students had to navigate a small town in France (virtually of course) with a small set of coins, type the correct language into the computer in order to get what they needed (buying food, tickets etc) and then get back to base before time ran out. This was back in the 1980s though so it was not terribly sophisticated by today's game standards. You could even pay to hire a bike but you had to return it (using the correct words) or face penalties. The sort of thing you could do in a virtual world these days as long as you don't mind learning to move "in world" first. You can easily spend 20 minutes below the sea or stuck in a tree somewhere!

There's always a tension when you are designing learning using playful techniques - or serious games - between the time invested and the learning achieved. As a practitioner you get to judge this with experience and feedback from your students. So, do we need games less as we get older? I don't think so, indeed I would argue that we need permission to connect with our inner child even more if we are to free up the headspace we need to learn effectively. The biblical quote above may be misleading. Paul wrote to the Corinthians (if my rusty memories of bible study are correct) because he wanted to remind them of their responsibilities towards each other. As teachers we have a responsibility to support effective learning, that may well include the wise choice of a suitable playful activity or two. Laughter has a place in a classroom as it does in life. When we are older we can also reflect and analyse how the experience can help us break out of our learning ruts. Asking learners to create a game can be a really useful way of challenging assumptions about learning too. Play can support teaching excellence even in Higher Education.

#BYOD4L: Thoughts on creating

What a week! As my head cold finally withdraws I am returning to the last of 5 hectic but rewarding days working with the #BYOD4L team and turning my thoughts to our last topic, Creating. It was my first time moderating/facilitating on this digital ideas fest and the fact that it coincided with a heavy cold (not unusual given the time of year) just revealed how online practice can have a major advantage over the face to face - no one else was put at risk of contagion thanks to my sniffs and sneezes and I was able to participate fully despite everything, assisted by regular medicated hot lemon drinks and the encouragement of others!

I'm no artist (I may well have mentioned that before) but I do enjoy the visual, particularly when it communicates ideas which may be difficult to express. We are surrounded by visual communication, as indeed was predicted some years ago. I remember when the "new" GCSE for languages was introduced some 20 years ago we were told to expect greater use of signs and visual media. I was asked to provide practitioner feedback on a French course book in development at the time based around minitel which had taken off in France. A precursor to what was to become the game changer in communication technology, the internet. 

I knew that Friday night's chat would be a challenge for me, juggling practical tasks with tissues and feeling pretty tired after a busy week but it was great fun and has left me reviewing all I do through the lens of creativity. I couldn't manage to edit and share images in the time frame allowed (see the rather bland pic above for evidence!), it was all rather frantic but I was inspired by those who did - at least one of whom did so on a mobile phone whilst on the touchline of a child's football match! When I accepted my limitations I just settled in to enjoying the creativity of others including the #creativeHE gang who shared the chat too, whilst listening to a playlist shared by @BYOD4L. 

All this activity has left me pondering more deeply about creativity and I am taking those thoughts on to my other blog Espace Sisyphe. Thanks to Neil, Sheila, Deb, Chris, Alex, Rebecca, Ellie, Emma, Chrissi and Sue for the great company and inspiration, a fabulous CoP for digital skill enhancement.  

Weaving for peace

Image: Lucky charm 1 paper weaving

by Shannon Sinclair CC BY ND 2.0

I am not talented in an artistic sense. My secondary school art teacher took a dim view of my attempts to create a homework that scored anything above 7/10 and I quickly abandoned any attempt to improve after a brief struggle to convince her that my "gift" needed to be nurtured. However, I have a love of art and I derive great pleasure from the appreciation of the talent of others and the natural beauty I see around me in the world. I do maintain a passion for creativity which, in younger days took the form of poetry writing and singing (I thank a great English teacher for his encouragement). 

Once I was working as a teacher myself, I started to derive pleasure from creating activities and designing learning materials for my students. This interest has grown and mutated since the advent of digital media. I started in the late 1980's to devise web tours and treasure hunts, use databases as a resource for realistic oral role plays and I enjoyed how the use of new media disrupted the usual classroom dynamic and helped different students shine. Of course, much has changed since then - CD-ROMs, MP3 players, YouTube, WYSIWYGs and HTML5 have revolutionised how we create. Most recently of course digital communication tools such as smart phones have helped us to connect and interact online more easily, for better or worse. 

This has been the background for me finding a new creative space. Over the past 10 years I have gradually increased my online presence as part of my professional life. Having taught myself a little HTML many years ago, I realised that websites are rather like tapestries. The beautiful appearance of a page is the result of lots of knots and threads behind the scenes, a good deal of imagination and craft goes in to the finished product - if indeed it is ever finished. When you make online you enjoy a medium that offers lots of possibilities as long as you understand your purpose. Rather like the beautiful piece of weaving above, the various aspects of my digital presence: personal websites; twitter/instagram accounts; open resources shared through various repositories such as slideshare, XTlearn; video accounts and more have to be woven together in order to reveal all the facets of my work. I seem to have arrived at a place where my "next steps" are increasingly about weaving together the various threads of my digital creation. I worry about the web needing to remain this open canvas, a democratic space where all can participate, not one "owned" by states or multinationals who seek only to exploit or control the voice of users. My digital threads are multi-coloured but when they come together they form a coherent self portrait of an educator who will always value the spirit of the artist, who nurtures talent, openness and creativity whatever the circumstances. We can use our creativity for good or evil, I choose to support a positive vision of global human endeavour. I weave for peace. 

My thanks go to Martin Weller who commented on my weaving skills after this blog post which in turn inspired me to practice more!

Who are you?

On a reçu dans les casiers un petit doc à propos de la minute de silence, en comic sans ms, forcément. Question de tradition

— Monsieur Le Prof (@MsieurLeProf) November 16, 2015

This little tweet brought all the horror of recent events into sharp focus for me. 

I follow @MonsieurLeProf on twitter, He teaches English in the suburbs of France and has a wonderful, dry sense of humour. He is a skilled user of web based technologies and has a clear understanding of how to present his digital identity to the world.  Here he makes an off the cuff remark through twitter that illustrates the lack of general awareness of appropriate etiquette when using digital media. The incident? A missive for communicating the observation of a minute's silence out of respect for the victims of the terrorist attacks. It came via pigeon holes, written in the childlike, light-hearted font known as Comic Sans MS. 

The lack of understanding of the nature of this communication is startling. The printing press was introduced to Europe in 1439, nearly 600 years later publishing is in the hands of individuals, every office produces desktop published documents for circulation on a regular basis but much research into fonts and their communicative properties is surely common knowledge? Google it! YouTube it!  Find out here what your choice of font says and watch a personal evaluation of fonts here to help you make your own choices.  

This is computer-mediated communication 101, the most basic of digital communicative skills. Yet our educational institutions fail to recognise the importance of effective digital communication skills as vital in today's world. If we paid more attention to digital interaction we would understand that we only have a hope of addressing the unfortunate abilities of those with effective digital skills combined with murderous intent if we raise awareness of the importance of transversal skills.

These skills are no longer only the domain of the publisher. In the same way as music production, photography and film making have been democratised by the personal computer (and now smart phones and tablets) our digital presence speaks volumes about us. We look very foolish when we neglect these forms of communication and worry only about the face to face. 

Licence to kill!

A recent visit to Bilbao led me to reflect on digital creation and ownership. I will briefly describe the two experiences that triggered this post. The image above is a photo taken during my visit to the Guggenheim museum. As I wandered around looking at the Jean-Michel Basquiat exhibit on the top floor I used my phone to capture some of the quotations on the wall. A friend meanwhile captured the impressive light and surfaces of this beautiful building. We were not prevented from doing so. That is until I turned my phone towards one of the artworks and was abruptly chided "no photos por favor". Fair enough, I thought, maybe the flash could damage the artwork. Later, having visited the fan shop for Athletico Bilbao in the old town to take home a souvenir for my son, I asked if I could take a picture of the shop's interior to share with him. Again came the "no photos" reply. 

I was left puzzling the principles behind these rules. Both spaces are public spaces, they clearly want to attract visitors. Both will happily take our money and benefit from our patronage. Our reported experiences (as seen on sites such as Trip Advisor) can influence other potential visitors and thus affect their "brand". It is normal these days for us to capture snapshots of our experiences to share on social media. Perhaps such businesses could better communicate what they consider to be acceptable use of technology on their premesis? 

Digital activity has made everyone a reviewer or reviewee. Creating and sharing digital capture allows individuals to express their unique take on the world, capturing a perspective that is personal and original. In the same way Basquiat's self expression came to promenance on the streets of New York, ours resides on social websites such as Instagram, evidencing how our experiences shape our lives. Businesses are in some cases claiming ownership of such experiences, the more progressive of them recognise that visitor impressions are powerful and encourage posting to their own social pages. 

Using legislation, policies and rules to limit the rights of others to experience and portray their world without good reason is abhorrent to me. I believe it is contrary to web culture, a domain where equity and freedom of speech is currently a defining principle. I believe Basquiat would have felt the same way had he lived long enough to experience the rise of the web. He clearly felt that self expression through art connected him to the world.  Freedom is under threat however, not least by those who abuse it, but also by those who would assert ownership of the infrastructure to create a two-tiered system where access is governed by your means. One way of addressing this is to ensure that ordinary people can claim their stake on their contribution through Creative Commons licencing. The silent majority need to be heard if we are to avoid the internet becoming a mirror of our world, where 1% of the population owns the lion's share. 

PS. If you would like to explore Basquiat's work in the open take a look at this site Artsy has a mission to bring art to all. 

Video in teaching and learning

Recently I was involved in facilitating a workshop for H.E. language educators on using video. The session took place at Southampton University and my plan was very technically demanding. I had just one hour to bring a self selecting group with varying roles and computer experience to the point where they would create and upload a video they had made through an unfamiliar online portal in order to earn an open badge. No pressure! 

Digital video can be enormously challenging, different devices using different encoding and having different playback needs. From a professional development context I felt a need to tackle video with my colleagues. My experience within our Languages@Warwick VLE research was that 100% of our teachers use video in their courses. The nature of this use was largely playback, and in my session I wanted to extend this to show that in fact we can use video in many other ways and so we decided to play on!
Here are the slides from the session.



 Future #highered students want to be able to create and contribute media to the virtual learning environment #Bett2015

— Helena Gillespie (@helenauea) January 21, 2015

We used Languages@Warwick's inbuilt video tools provided by Kaltura which include:

• screen capture
• webcam capture
• video assignment submission
• media upload

Almost all the participants in the session completed the video creation and submission and earned their #openbadge. They inspired me with their excitement. The technical headaches were managed by the system, the interface is easy to understand so the creativity can thrive. Here's one colleague discovering the joys of screen capture. 

Clicks and cliques

I suppose there is a human tendency to cluster around shared interests or passions. We form tribes, we are influenced by those we admire. We like connecting. We wear our group badges with pride, be they football team colours, fashions, preferred technologies, book clubs, sporting activities, on the whole we like to be one of a group or indeed several groups.Birds of a feather, flock together.

Thanks to the internet it has never been easier to seek out those who share interests. As #warcler #clerwar gets underway again the ease of # to find new friends is being put to good use. And so I have been reflecting on connectedness. 

I will be presenting next month on the many benefits of open practice and becoming a connected educator at the Global Education Conference #globaledcon14. There are so many great things that have happened in my life, so many new friends, new connections, new opportunities since I first "lurked" in online teaching spaces and I will be sharing those soon. One that is worth mentioning "en passant" is that, even when you need to down tools and take a break, someone out there is looking at your work and developing it further. Just such an event became apparent to me recently when a friend of a friend shared an image in a tweet:

@WarwickLanguage @sensor63 rough draft of my hack, coming soon with a blogpost to explain #ccourses pic.twitter.com/K06G0d97hC
— ℳąhą Bąℓi (@Bali_Maha) September 8, 2014

Maha's diagram is a lovely re-hacking of a blog post I had written, she was quite dismissive of it, to me it was like a gift out of the blue. A connection with Egypt that I had never made before.

But do clicks make cliques? Does our participation in online groups lead to us shunning others or being dismissive of those who are outside our connections, our PLN? Do we start to use language that distances us from others, making it awkward for them to penetrate our circle? I think we must always remain aware of this danger and willing to engage widely.  

This morning I felt the need to be alone, to wander through the beautiful autumn sunshine with my thoughts. I had come across Dunbar's number a theory which maintains that humans are limited in the number of others they can connect with. I admit to feeling at times overwhelmed by the possibilities for connection and collaboration presented by the web, but I also believe that the brain is not fixed and limiting, it is flexible and complex and I wonder if this theory will stand given the new ways of working and socialising that we are witnessing online. 

As I captured some of the colour of the trees in the park I spotted chestnuts blown down by the wind, carpeting the ground and I wondered what my friends in Clermont would make of the waste of these lovely "marrons" so I will share them here. Just a few more clicks, no cliques, lots of connections.