Collaborating openly when the doors are closed.

I'm revisiting this post made in 2017 during an open course called #BYOD4L which took place in Google + (remember that??) as a result of a suggestion that arose from a twitter musing:

 

lots of reminders of #byod4l in various timelines today - how times change @alexgspiers @neilwithnell @chrissinerantzi @suebecks @debbaff and so many others

— Sheila MacNeill (@sheilmcn) January 16, 2021

Sheila's tweet quickly coalesced into a blog post and brought a group of us back together again to plan a proposal to #OER21. 

Since I wrote the Collaboration post in 2017 many things have happened. 

The Erasmus Plus Virtual Exchange initiative lasted 3 years and has had a huge impact as you can see in the reports hosted here.  UNICollaboration.org has been the lead partner on HEI work, delivering recognition through an open badge system based on a collaboratively produced competency framework and providing research into the impact of virtual exchange. This research has been further enhanced by the work of the EVOLVE project  which has shared outputs openly under Creative Commons licences to help HEIs deliver training and support for practitioners and internationalisation officers. So a good deal of concrete support has been available free of charge thanks to the European Commission over the past 3 years or so. 

More recently I retired from my role at Warwick but I am very happy to report that the Clavier virtual exchange continues thanks to the depth and personal engagement of our collaborators. Clavier is now in its 10th year and continues to work as a large scale opportunity for both staff and students to learn together. We celebrated with a badge of course!

The UK withdrew from Erasmus, a decision which shocked many around the world. A decision which has been called out by UK language communities.

The voices of the language community speaking out about the decision to take the UK out of Erasmus Plus:

#erasmust 

So many doors can close at many levels: personal, institutional, political, financial.  How does international collaboration continue when doors close? 

Here is what I have learned over the years. 

• Collaboration can overcome barriers if the purpose of the collaboration is shared and valued by those working together. Clavier has outlived loss of budget, loss of senior management support, even time constraints because we support each other. 
• Working openly helps strengthen collaboration. Choosing tools which are not dependant upon institutional finance and methods which make sharing activity safe but open leads to many unexpected additional opportunities. 
• You can learn lots if you are open to learning from others (including your students). Treading the trickier path described above meant getting a deeper grasp of the technologies we used, sharing critical digital wisdom, listening to all participants and being willing to try new ideas. 
• Celebrate your victories and hug your communities (virtually of course). Virtual Exchange is a hybrid, tougher than the "pure bred" systems which favour either all face to face or all online learning. These strengths have been of great comfort to virtual exchange practitioners during the current pandemic. 

Personally, the Clavier, UNICollaborate and EVOLVE communities have been hugely helpful in advancing my work in virtual exchange but these collaborations go much deeper so I need to acknowledge here the support, inspiration and collaboration gained from participation in these many open online communities of practice:

Open Ed SIG; ALT; Eurocall; #LTHEchat; #BYOD4L; Creative Commons; #femedtech; Open Recognition Alliance; Mahara; Global Education Conference; 

these networks have all been part of my professional and personal development and more importantly perhaps individuals within them have been the key to sustaining my progress whatever happens. Impossible to acknowledge all the individuals but worth saying a huge thank you to all who have worked with me in any way. Some of you have moved on to other careers and opened new doors. 

Collaboration and working collectively touches so many lives and brings so many possibilities that doors are no longer relevant. We've all gone open plan!

Creative Commons Remix assignment

I'm about at the half-way point in the Creative Commons Accreditation course I am doing this summer. The video above is a submission for this task:

 Create a remix in any medium (e.g., photo, video, audio) for use in a course you teach. If you aren't currently teaching a course, create a remix for use in a future offering of the CC Certification course. Your remix must meet the following criteria:

• be comprised of at least five (5) pre-existing CC licensed works,
• contain appropriate attribution for each component work (remember to think TASL!), and
• be a legal remix (that is, the licenses of all component works must be compatible).

You are welcome to include your own original work in the remix but this is not required. Be sure to create a remix and not merely a collection.

For inspiration, see Montgomery College’s Open Pedegogy Assignments (click on one of the links under Assignments on the left): https://cms.montgomerycollege.edu/mc-open/unesco-sdg/ (Links to an external site.)Links to an external site..

Post your remix online. License it with a Creative Commons license (be careful that the license you choose is acceptable given the terms of the component works included in your remix!). 

I will use this remix as part of my new module LN306 Developing Teaching in Languages. This year will be the second iteration of this course and I found from feedback last year that my students, although they appreciated open education as "a good thing",  it wasn't very clear to them what it meant for their practice. The student group are linguists who have worked in schools abroad and/or worked as tutors and are considering entering a career in teaching when they complete their degree. I wanted the remix to demonstrate what can be achieved and why it matters to engage with open practice. 

The remix (originally created as a contribution to video in education project ViLTE)  includes sections taken from RIP A Remix Manifesto (already a remix of many other works, licenced CC BY 3.0 and my own additions including an image from Flickr which uses a licence which prevents derivatives. It exemplifies the discussion I co-wrote about the issues faced by language educators when using contemporary cultural artefacts as produsage in their courses. I have messaged the poster of this image to see if he is OK with its use in this context. I have used the image without any changes but this licence would prevent me applying a CC BY licence on the finished work so I need the permission of the owner in order to include it. If nothing is forthcoming I will have to replace it with another image. Update: the video above is a remix again as no response came from the ship image creator. (UPDATE 2: The original image creator responded to me via Flickr messaging to ask a few further questions about the purpose I wanted to put the image to. Although I had already removed the image, it was good to see that contacting an owner through the community on Flickr could work). This serves as a good reminder of the detailed level of understanding of Creative Commons licencing needed by educators in order to operate in the digital domain. Real scholarship is required to work confidently online. 

Once the remix was ready to share I uploaded it to my YouTube channel. Another problem: YouTube do not have a full selection of CC licences available, just CC BY. This is my preferred licensing option in any case and (provided the Flickr image owner gives me permission) is fine for this remix. 

I am submitting my assignment within a blog post (my blog is CC BY) as I think the context and issues for remixing are as important as completing the assignment. Here are the questions that arise during the remixing process:

• when remixing using content which explicitly allows remixing (eg CC BY) where do you attribute? In the video itself? In the description on the streaming site? Is a link within the blog post enough to provide the TASL requirements?
• If the licence on an image (for example) is too restrictive for inclusion, can this be ignored if the owner gives his/her permission for your use?
• What if the sharing site used (eg. You Tube) does not support the full suite of CC licences? How can we influence site providers to offer better display of licensing options?

Finally I decided to create a further remix of my own resources around open educational practice:

Video in language teaching

The video above is a remix which uses extracts from RIP: A remix manifesto in order to convey the importance of copyright knowledge to the teaching profession and to explain how Creative Commons licencing can support a creative, sustainable learning environment online through open educational practice. I created it as a contribution to the ViLTE project, funded by the British Council.

Further detail about the importance of creativity in the digital domain and its relevance to language teaching in particular is explained in this jointly authored article on Produsage  published in the education policy analysis archives journal. 

I was also involved in the EU project Video for All where lots of teaching resources were shared for language teachers to help them cope with the complex landscape of digital media production in their teaching. Unfortunately for us the site (hosted by a pain project manager) has been taken down at the project's end of life as the budget has run out. I find that outrageous and I am trying to bring it to the notice of the funders. The resources were created as open educational resources and  need ongoing support. The Wordpress site which was the host for our work would not be expensive but I do not have any say in budget, I am just a teacher. Does seem strange to me though that tech companies and even project managers of EU projects proclaim their interest in education but often do little to support the real needs of educators or to maintain resources we need. It bears witness to the fact that some are clearly only in it for the money. 

The key word in all of this work is the word open. Kaltura have worked hard to support open standards in video, as a practitioner I work in the open because I believe everyone should have access to education and I also believe that through an open web I can network and learn from other educators. If you get the chance to watch the whole of the RIP video on Vimeo you will see that openness (open data, open education, open source, open access, open practice etc) are key to making headway in solving big problems. Problems we should no longer assume will be solved by politicians - that ship has sailed and we can be clear that they also by and large are busy protecting their own interests. We need to ask ourselves what really matters.  I have of course kept a copy of my video, added it to my YouTube channel and Kaltura gallery and shared widely as well as passing the file to the ViLTE project to help ensure its existence as an OER beyond the confines of a project. 

Update: March 2019 - Kaltura have now closed my free open gallery - so just as well I maintain other ways to share my work!